Ambrosia Music

Country Music- the Soulful Rhythms

No matter what your preferences are, no matter what kind of disposition you have- you simply cannot refrain yourself from being mesmerised and enticed by music. Since its inception, music has been the most loved source of entertainment and people with different tastes and likings admire several kinds of music. It has different kinds and forms. Across the world different kinds of music has evolved with the emergence of distinctive civilizations and the characteristic nature of the people in different countries etc. The influence of music can be felt in every corner of the world. Various genre of music like rock, pop, classical, jazz etc have been immensely applauded by the people. Country Music

is also well accepted and admired by the music listeners across the globe. This highly melodious and mellifluous form of music is awesomely pure and subtle. Unlike the conventional pop and metal music, this genre is known for its flawless and soft rhythms that are soothing to the ears and pleasant to the soul. Many popular artists have given amazing performances and great albums that have remarkable influences from this music. These albums have achieved admirable success and recognition from the listeners.

Country music is a remarkably enticing genre of music that focuses on the melodies and the rhythms. It is identified by its immensely mellifluous tones and upbeat numbers. It is a blend of various distinctive music forms from across the world and mainly has influences from the music that was originated in the southern parts of the United States and the region of Appalachian Mountains. Around 1920, this category rapidly evolved and gained popularity among the masses. This kind of music has its roots in the various traditional and classical types like folk music, old times music, Celtic music, gospel and the blues. In the southern United States the various ethnic groups created music of different styles and the combination of all these styles emerged as the Western Music that comprises a major part of the country and western music.

There have been a number of artists and performers who have gained immense popularity with this genre of music. Elvis Presley, who was earlier known as The Hillbilly Cat was one of the biggest pop icons in the history of music. He won recognition through his immensely admirable country music performances. He was featured on the radio program Louisiana Hayride where he used to give amazing performances based on this music. Similarly Garth Brooke is one of the most appreciated country based music artist whose albums were chart toppers. He made short debut in other genres too. This genre saw its greatest high in the year 2006 when the country albums sales increased by the 17.7 percent to a whopping 36 millions.

The country pop has its roots in the soft rock and the country-politan which emerged as a sub genre of this music in the 1970’s. It was well accepted by the wide variety of audiences during the same decade. The singers like John Denver, Glen Campbell and Anne Murray were some of the most admired artists of this genre. "RhineStone Cowboy" by Campbell is amongst the best and biggest crossover music hits. The songs in this music CD are still hummed by the teenagers and youngsters. Olivia Newton John is considered as the best female country vocal performer.

Outlaw country revolutionized this genre of music completely with the derived Honky Tonk sounds of late 1950’s. After 1935, the Western Swing Big Band leader Bob Willis used drums as the major instrument in his band Texas Playboy. The drums were readily used by the country musicians and the rockabilly groups till 1955. Later, they became significant in the country bands also. The electric guitar was used in the bands that were originated in the beginning of 1938. Arthur Smith achieved immense success with the Guitar Boogie a MGM records album that declared the beginning of guitar as the most influential instrument in the country band.

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Smithsonian Folkways FW07550CCD More Good Time Music $29.96 Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation preservation and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people s engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. . Year of Recording 1973. Record Label Folkways Records. Source Archive Smithsonian Center for Folklife and Cultural Heritage. Credits Artist Josh Bogin ; Design by Randi Wasserman ; Cover artwork by Randi Wasserman. 101 RockAMySoul Josh Bogin 4:11. 102 Hey Lollie Josh Bogin 4:25. 103 When I First Came to This Land Josh Bogin 3:11. 104 Where Shall I Be Josh Bogin 3:05. 105 Mama Don t Allow Josh Bogin 2:40. 106 Bring Me a Little Water Silvy Josh Bogin 1:55. 201 Long John Josh Bogin 3:15. 202 This Little Light of Mine Josh Bogin 2:58. 203 Join into the Game Josh Bogin 2:54. 204 Stewball Josh Bogin 4:34. 205 That s All Right / Five Wine Bottles Josh Bogin 5:09. 206 Corrina Corrina Josh Bogin 2:50.

Smithsonian Folkways FW07528CCD More Music Time and Stories $29.96 Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation preservation and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people s engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. . Year of Recording 1970. Record Label Folkways Records. Source Archive Smithsonian Center for Folklife and Cultural Heritage. Credits Artist Charity Bailey ; Design by Irwin Rosenhouse. 101 Dancing on the Mountain Charity Bailey 2:48. 102 Missie in the Bond Charity Bailey 1:50. 103 Two Wings Charity Bailey 2:37. 104 Cotton Needs Pickin Charity Bailey 2:38. 105 Dumplin s Charity Bailey 1:39. 106 Crawdad Man Charity Bailey 2:44. 107 Willowbee Charity Bailey 2:25. 108 The Noble Duke of York Charity Bailey 2:46. 201 Chicken Soup Charity Bailey 1:58. 202 WakeUp Charity Bailey 1:26. 203 The Skating Song Charity Bailey 2:54. 204 The Gingerbread Man Charity Bailey 6:37. 205 Why Bears Don t Have Tails Charity Bailey 6:44.

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Alfred Publishing 0024637 More Cowbell Music Book $52.96 More Cowbell was inspired by the famous television skit featuring a rock band a record producer and an overzealous cowbell player. If the cowbell player is good at hamming it up (and rocking out) you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement and starts moving in measure 17 toward the front of the band ending up next to the conductor in measure 24 bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back or similar gestures). Student slinks back starts playing cowbell again but quietly this time. Playing gradually picks up intensity and player starts again toward the front in measure 41 reaching the front by measure 48. In measure 48 either A) Conductor waves hands violently for student to stop or B) have a couple of students place a large blanket over the cowbell player. This works but only for one measure (player quits and doesn t move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket). Make sure your new rock star takes another bow at the end of the piece. Have fun and may your life always have More Cowbell Contributors: By Mark WilliamsSeries: Accent on AchievementGenre: TVLevel: 1 (Very Easy)Instrument: Concert BandFormat: Conductor Score PartsCategory: Concert Band

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Smithsonian Folkways FW07550CCD More Good Time Music $29.96 Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation preservation and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people s engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. . Year of Recording 1973. Record Label Folkways Records. Source Archive Smithsonian Center for Folklife and Cultural Heritage. Credits Artist Josh Bogin ; Design by Randi Wasserman ; Cover artwork by Randi Wasserman. 101 RockAMySoul Josh Bogin 4:11. 102 Hey Lollie Josh Bogin 4:25. 103 When I First Came to This Land Josh Bogin 3:11. 104 Where Shall I Be Josh Bogin 3:05. 105 Mama Don t Allow Josh Bogin 2:40. 106 Bring Me a Little Water Silvy Josh Bogin 1:55. 201 Long John Josh Bogin 3:15. 202 This Little Light of Mine Josh Bogin 2:58. 203 Join into the Game Josh Bogin 2:54. 204 Stewball Josh Bogin 4:34. 205 That s All Right / Five Wine Bottles Josh Bogin 5:09. 206 Corrina Corrina Josh Bogin 2:50.

Smithsonian Folkways FW07528CCD More Music Time and Stories $29.96 Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation preservation and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people s engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. . Year of Recording 1970. Record Label Folkways Records. Source Archive Smithsonian Center for Folklife and Cultural Heritage. Credits Artist Charity Bailey ; Design by Irwin Rosenhouse. 101 Dancing on the Mountain Charity Bailey 2:48. 102 Missie in the Bond Charity Bailey 1:50. 103 Two Wings Charity Bailey 2:37. 104 Cotton Needs Pickin Charity Bailey 2:38. 105 Dumplin s Charity Bailey 1:39. 106 Crawdad Man Charity Bailey 2:44. 107 Willowbee Charity Bailey 2:25. 108 The Noble Duke of York Charity Bailey 2:46. 201 Chicken Soup Charity Bailey 1:58. 202 WakeUp Charity Bailey 1:26. 203 The Skating Song Charity Bailey 2:54. 204 The Gingerbread Man Charity Bailey 6:37. 205 Why Bears Don t Have Tails Charity Bailey 6:44.

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Alfred Publishing 0024637 More Cowbell Music Book $52.96 More Cowbell was inspired by the famous television skit featuring a rock band a record producer and an overzealous cowbell player. If the cowbell player is good at hamming it up (and rocking out) you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement and starts moving in measure 17 toward the front of the band ending up next to the conductor in measure 24 bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back or similar gestures). Student slinks back starts playing cowbell again but quietly this time. Playing gradually picks up intensity and player starts again toward the front in measure 41 reaching the front by measure 48. In measure 48 either A) Conductor waves hands violently for student to stop or B) have a couple of students place a large blanket over the cowbell player. This works but only for one measure (player quits and doesn t move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket). Make sure your new rock star takes another bow at the end of the piece. Have fun and may your life always have More Cowbell Contributors: By Mark WilliamsSeries: Accent on AchievementGenre: TVLevel: 1 (Very Easy)Instrument: Concert BandFormat: Conductor Score PartsCategory: Concert Band

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Smithsonian Folkways FW07550CCD More Good Time Music $29.96 Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation preservation and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people s engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. . Year of Recording 1973. Record Label Folkways Records. Source Archive Smithsonian Center for Folklife and Cultural Heritage. Credits Artist Josh Bogin ; Design by Randi Wasserman ; Cover artwork by Randi Wasserman. 101 RockAMySoul Josh Bogin 4:11. 102 Hey Lollie Josh Bogin 4:25. 103 When I First Came to This Land Josh Bogin 3:11. 104 Where Shall I Be Josh Bogin 3:05. 105 Mama Don t Allow Josh Bogin 2:40. 106 Bring Me a Little Water Silvy Josh Bogin 1:55. 201 Long John Josh Bogin 3:15. 202 This Little Light of Mine Josh Bogin 2:58. 203 Join into the Game Josh Bogin 2:54. 204 Stewball Josh Bogin 4:34. 205 That s All Right / Five Wine Bottles Josh Bogin 5:09. 206 Corrina Corrina Josh Bogin 2:50.

Smithsonian Folkways FW07528CCD More Music Time and Stories $29.96 Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution the national museum of the United States. We are dedicated to supporting cultural diversity and increased understanding among peoples through the documentation preservation and dissemination of sound. We believe that musical and cultural diversity contributes to the vitality and quality of life throughout the world. Through the dissemination of audio recordings and educational materials we seek to strengthen people s engagement with their own cultural heritage and to enhance their awareness and appreciation of the cultural heritage of others. . Year of Recording 1970. Record Label Folkways Records. Source Archive Smithsonian Center for Folklife and Cultural Heritage. Credits Artist Charity Bailey ; Design by Irwin Rosenhouse. 101 Dancing on the Mountain Charity Bailey 2:48. 102 Missie in the Bond Charity Bailey 1:50. 103 Two Wings Charity Bailey 2:37. 104 Cotton Needs Pickin Charity Bailey 2:38. 105 Dumplin s Charity Bailey 1:39. 106 Crawdad Man Charity Bailey 2:44. 107 Willowbee Charity Bailey 2:25. 108 The Noble Duke of York Charity Bailey 2:46. 201 Chicken Soup Charity Bailey 1:58. 202 WakeUp Charity Bailey 1:26. 203 The Skating Song Charity Bailey 2:54. 204 The Gingerbread Man Charity Bailey 6:37. 205 Why Bears Don t Have Tails Charity Bailey 6:44.

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Alfred Publishing 0024637 More Cowbell Music Book $52.96 More Cowbell was inspired by the famous television skit featuring a rock band a record producer and an overzealous cowbell player. If the cowbell player is good at hamming it up (and rocking out) you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement and starts moving in measure 17 toward the front of the band ending up next to the conductor in measure 24 bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back or similar gestures). Student slinks back starts playing cowbell again but quietly this time. Playing gradually picks up intensity and player starts again toward the front in measure 41 reaching the front by measure 48. In measure 48 either A) Conductor waves hands violently for student to stop or B) have a couple of students place a large blanket over the cowbell player. This works but only for one measure (player quits and doesn t move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket). Make sure your new rock star takes another bow at the end of the piece. Have fun and may your life always have More Cowbell Contributors: By Mark WilliamsSeries: Accent on AchievementGenre: TVLevel: 1 (Very Easy)Instrument: Concert BandFormat: Conductor Score PartsCategory: Concert Band

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